TOAF Melbourne Q + A: Rachel Rovay

Rachel Rovay, Tabletop Garden III. Acrylic paint and resin on shaped panel board, 58 x 42cm.

RACHEL ROVAY’S KALEIDOSCOPIC FIGURES ARE AN ATTEMPT TO CAPTURE AND RETAIN THE BEAUTY THAT IS GRADUALLY DISAPPEARING FROM OUR URBAN ENVIRONMENTS.

TOAF Melbourne Q + A: Jennifer Webb

Jennifer Webb, Docklands. Acrylic on linen, 91.5 x 183cm.

OCEANS, FIGURES AND CITY SKYLINES ARE TRANSFORMED INTO DUSKY, ETHEREAL LANDSCAPES BY ARTIST JENNIFER WEBB, WHOSE SKILL IS NOT LIMITED TO ANY ONE MEDIUM.

TOAF Melbourne Q + A: Dawn Lim

Dawn Lim, Sequences, Mixed media, 101 x 101cm.

TAKING CONCEPTUAL INSPIRATION FROM THE MANIFESTO OF ANDRE BRETON, THE ABSTRACT COMPOSITIONS OF DAWN LIM PROJECT THE SUBCONSCIOUS ONTO THE CANVAS.

TOAF Melbourne Q+A: Anita Jokovich

Anita Jokovich, Grassy Knoll. Acrylic on canvas, 41 x 41cm.

THE MOODY, ABSTRACTED PAINTINGS OF ANITA JOKOVICH EVOKE THE TRANSIENCE OF THE OCEAN THROUGH LAYERED PALETTES OF INTENSE BLUES AND SKY PINKS.

Q+A: Kay Kane

Kay Kane, Virtue and Power. Oil on linen, 97 x 62cm.

Kay Kane’s paintings and drawings exemplify the skill and dexterity required to create art works which, through composition which combines juxtaposition of shape, line, colour and tone, work to uncover natural beauty, aesthetic purity, knowledge and truth.

Q+A: Franko

Franko’s multidisciplinary practice burns the rulebook of acceptable artistic material.

Q+A: Damian Seagar

Damian Seagar, Ivanhoe, New South Wales. FujiChrome 100 35mm film, 39 x 57cm.

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