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[av_heading heading=’Q + A: Kathryn Lewis’ tag=’h1′ style=’blockquote modern-quote modern-centered’ size=” subheading_active=” subheading_size=’15’ margin=” margin_sync=’true’ padding=’10’ color=” custom_font=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” av_uid=’av-jiv6yx9b’ custom_class=” admin_preview_bg=”][/av_heading]
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INSPIRED BY THE HIDDEN ENVIRONMENTS OF WILDLIFE IN WESTERN NEW SOUTH WALES, KATHRYN LEWIS CREATES COMPLEX GARDEN LANDSCAPES AND STILL LIFES.
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What materials do you use?
I am in love with oils. They are forgiving but also give you more time to mould your ideas. I love the buttery feeling and I often work with palette knifes. The colour is alsomore vivid and crisp.
What is your process?
I begin with my sketches – many, many sketches – which lead me to what I am going say and then put to canvas. I don’t plan too much at the painting stage, except for the colours I am looking for, as this is the beginning of my creative journey. I know what I want to say about the goanna who invaded the orchard and eyeballed the chicken!
What have you been working on recently?
I have just finished an exhibition built on a Ray Turner approach to painting a cross section of people within the local community in a rural New South Wales town. Again, the subject is painted in a loose fluid movement, similar to my garden scenes. I am also working on a commission of flowers. Beautiful.
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