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[av_heading heading=’Q + A: Tricia Trinder’ tag=’h1′ style=’blockquote modern-quote modern-centered’ size=” subheading_active=” subheading_size=’15’ margin=” margin_sync=’true’ padding=’10’ color=” custom_font=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” av_uid=’av-jk1tov41′ custom_class=” admin_preview_bg=”][/av_heading]
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TRICIA TRINDER USES BEESWAX, DAMAR RESIN AND DRY PIGMENT TO CREATE HER ATMOSPHERIC PAINTINGS DEPICTING THE OCEAN HORIZON.
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How long have you been an artist?
I have sketched and painted all my life, but in the last 10 years I have explored the encaustic [wax] medium alongside my normal practice. Two years ago, I worked on building a body of work and last year had my first solo exhibition at Sydney Road Gallery.
What have you been working on lately?
I’m still exploring my Horizon theme. I love creating the light on the horizon, and the different colours that can be seen in the water; the textures of the waves. All cre- ated just using my hands and polished to an amazing shine. People are always sur- prised that my work is created using wax.
What is your studio like?
My studio is an organised mess where everything is covered in a fine film of blue pigment, including me at the end of the day! It’s in a well-ventilated converted shed at the bottom of my garden, which is covered in wisteria. I like to play loud mu- sic whilst I work, which helps me focus on what I’m doing.
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