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CARR DESIGN AND HUB FURNITURE CURATE A LIVE-IN GALLERY IN THE PENTHOUSE AT MELBOURNE SQUARE, FOCUSING ON SCULPTURAL PIECES FOR DRAMA AND INTIMACY. REBECCA GROSS WRITES.

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A pendant from Cattellani & Smith hangs in the living room of this luxury Melbourne Square penthouse.

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“Start with a single sculptural piece that moves you and build a story around it,” says interior designer Chris McCue of Carr Design. This is the advice and approach of the design team that curated the art and furniture collection in the luxury Melbourne Square penthouse in Southbank. Carr Design collaborated with Hub Furniture to create the live-in gallery, continuing the concept of Melbourne Art Precinct that is transforming Southbank into a creative and cultural destination.

Melbourne Square is the city’s largest skyscraper development with six towers, a civic hub and a network of green spaces. Developed by OSK Property and designed by Cox Architecture, the site has a “folded landscape” to create a more natural landform, and the elliptical towers have a tapering pleat through their shimmering glazed façade. Continuing this “folded” theme throughout the interiors of the residential towers, Carr Design and Hub Furniture curated a penthouse collection inspired by the materiality and sculptural form that would appeal to downsizers and the luxury market. “The target market is a local buyer looking to move into the city for a change of life,” says Chris. “They have built an art and furniture collection, but now it is about distilling down to this beautiful space.”

With lofty ceilings and expansive glass walls, the penthouse has voluminous spaces and spectacular views. The design team wanted to celebrate this scale and outlook by creating spaces with drama, while also having settings that offer a more intimate sense of home. They achieved this by focusing each space on one captivating piece and developing the setting around it. A shell-like sculpture is elevated on a plinth at the end of one lounge area and has a curlicue form like the spiraling marble staircase. Across the room, a mobile installation draws attention to the corner of the penthouse, with panoramic views beyond. It is suspended from the ceiling, its gold and silver discs reflecting light and casting shadows on the wall behind the piano.

Two glistening Lederam lamps with sinuous, fluid forms provide a focal point above a second lounge area. The gentle folds in their shape are also inherent in the scooped seat of Faye Toogood’s Roly-Poly Chair and the woven bamboo of Robert van Embricqs’ Rising Armchair. “Hub Furniture represents a number of artists where the fold is a core study in their work,” says Chris. “To bring these pieces into the penthouse repeats and layers the folded idea of the architecture into the interior design elements.”

Carr and Hub also selected pieces to create quieter settings within the penthouse. “Not everything is a hero piece. There has to be moments of calm,” says Chris. A series of minimalist silver pendants cascade over the dining table where they don’t distract from the view or the company, and two geometric sculptures provide a complementary addition to the library.

Drawing on the power and simplicity of singular sculptural pieces, the penthouse of Melbourne Square will be a live-in gallery for the new owners to call home, with an art and furniture collection as eye-catching as the shimmering vertical village against the city skyline.

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