How would you describe your art?
Colourful love, above all else. Painting thousands of tiny naked women dancing around in their underwear. I have never painted the same character twice, and it’s important to me to ensure they each maintain their own individualism, whether it’s their wild hair, the cowboy boots or their power stances! It is part of being human to want to connect and create the world in which you want to be surrounded with.
When were you first drawn to your art form?
There was a craving for a sense of belonging and understanding, not only from the standpoint of being a child of refugees but also being Queer and growing up in a conservative environment. Painting the feminine form has always been a consistent theme throughout my life, but I believe my known style didn’t truly come into fruition until my mid 20s. It’s soul work, and I believe I have always been a creative soul.
Does your studio reflect any personal traits?
I am born and bred in Sydney, but my studio is based in Fitzroy North in a large run-down warehouse that has been an artist studio since the ‘60s. There is so much character in this space, and the soaring high ceilings allow for an abundance of light to beam through. I am always gravitating towards the light and warmth, and the pink hues that reflect off the white walls during sunset hour are divine.
Did you study fine arts, or are you self-taught?
I am a self-taught artist and painter. I did study a design degree at COFA, but the biggest teacher has been my late mother. She was a self-taught oil painter, and I believe watching her paint during my childhood is what shaped me more than anything else.
What draws you to your subject matter?
As a Queer woman of colour, my livelihood as an artist is to forefront community, cultural diversity and body liberation. Painting is a very cathartic practice and painting my known style came organically and intuitively. I believe that my paintings are an embodiment of my spirit – she is small but mighty!
Something people may not know about your tools?
My main practice is using watercolours and the tiniest brushes you can possibly imagine! I love acquiring new brushes, and there’s nothing quite like having the right brush for what you’re doing. I am quite attached to my brushes!
Is there anything you’re currently working on?
A collaboration between myself and Melbourne based ceramicist Alicia McVilly. This is our second collaboration together, and we are so excited to release a new series of homewares that feature my femme figures. I also have two solo shows next year – one in March at the beautiful At The Above gallery in Fitzroy and one at Leda Gallery in Newcastle.
Above: Artist Marisa Mu. Photo: Maysie Lecciones. Courtesy: the artist.
