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[av_heading heading=’Gallery Panel: Oliver Terence Wood’ tag=’h3′ style=’blockquote modern-quote modern-centered’ subheading_active=” show_icon=” icon=’ue800′ font=” size=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=’15’ av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=” custom_font=” subheading_color=” seperator_color=” icon_color=” margin=” margin_sync=’true’ padding=’10’ icon_padding=’10’ headline_padding=” headline_padding_sync=’true’ link=’manually,http://’ link_target=” id=” custom_class=” template_class=” av_uid=’av-kpc3ve5j’ sc_version=’1.0′ admin_preview_bg=”][/av_heading]
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Art Edit’s exhibition experts take a closer look at these six artists’ work.
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Oliver Terence Wood, Meld, 2021. Mixed media on polyester, 30.5 x 30.5cm. Courtesy: the artist.
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[av_team_member name=’Anna Prifti’ job=’Gallery Director, West End Art Space, Melbourne’ src=” attachment=” attachment_size=” description=’I find Oliver Terence Wood’s painting ‘Meld’ innovative and aesthetically pleasing. I love the textures the artist has created. I want to touch it, feel it, and turn it around in my hands. I’m intrigued by the artist’s experimentation and the processes involved in layering wood, linen, charcoal and sand to create a painting that blends colour, texture and form together. There is intimacy and vulnerability in this small-scale painting.’ image_size=” image_width=” border=” border_width=” border_width_sync=’true’ border_color=” border_radius=” border_radius_sync=’true’ font_color=’custom’ custom_title=” custom_job=” custom_content=” custom_icon=” custom_icon_hover=” img_scrset=” lazy_loading=’disabled’ id=” custom_class=” template_class=” av_uid=’av-jhfnsxtf’ sc_version=’1.0′ admin_preview_bg=”]
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[av_team_member name=’Edward Woodley’ job=’Director, China Heights Gallery, Sydney’ src=” attachment=” attachment_size=” image_width=” description=’This work is a tasteful representation of scale, movement, and texture. The overt, hurried scraping across the centre of the canvas delineates the work by capturing our immediate attention. Once the viewer acknowledges the subject’s movement, you are offered reprisal with the solidity of the built-up medium flanking the boundaries of the work. The final resting point of the work is the small, yet bold red spot surrounded by raw canvas. The work appears abstract, yet the visual cycle creates a landscape effect, like a clearing in the wild.’ font_color=’custom’ custom_title=” custom_content=” img_scrset=” lazy_loading=’disabled’ id=” custom_class=” template_class=” av_uid=’av-jhfnsxtf’ sc_version=’1.0′ admin_preview_bg=”]
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[av_team_member name=’Benjamin Clay’ job=’Curator, Olsen Gallery, Sydney’ src=” attachment=” attachment_size=” image_width=” description=’‘Meld’ exemplifies its maker’s great familiarity with his materials, employing an array of wet and dry media atop linen and timber surfaces. Wood’s mark-making attests to this confident approach, exuding a dynamism typically reserved for much larger pictures. For me, the success of this work is in the rupture between the stillness of its edges and the aggression of its midsection.’ font_color=’custom’ custom_title=” custom_content=” img_scrset=” lazy_loading=’disabled’ id=” custom_class=” template_class=” av_uid=’av-jhfnsxtf’ sc_version=’1.0′ admin_preview_bg=”]
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[av_heading heading=’Artworks for sale by Oliver Terence Wood’ tag=’h3′ style=’blockquote modern-quote modern-centered’ subheading_active=” show_icon=” icon=’ue800′ font=” size=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=’15’ av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=” custom_font=” subheading_color=” seperator_color=” icon_color=” margin=” margin_sync=’true’ padding=’10’ icon_padding=’10’ headline_padding=” headline_padding_sync=’true’ link=” link_target=” id=” custom_class=” template_class=” av_uid=’av-ncsyas’ sc_version=’1.0′ admin_preview_bg=”][/av_heading]
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[av_heading heading=’More Gallery Panel features in this issue’ tag=’h3′ style=’blockquote modern-quote modern-centered’ subheading_active=” show_icon=” icon=’ue800′ font=” size=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=’15’ av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=” custom_font=” icon_color=” margin=” margin_sync=’true’ padding=’10’ icon_padding=’10’ link=” link_target=” id=” custom_class=” av_uid=’av-kpc494mn’ admin_preview_bg=”][/av_heading]
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