Posts

Alison Mooney, Sun Shower, 2018. Mixed media, 150 x 150cm.

Gallery Panel: Alison Mooney

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The interpretive nature of abstraction means that each and every viewer is taken on a unique journey with Alison Mooney's painting.
Cherie Strong, Somewhere in the middle of all the chaos… peace. Charcoal on 300gsm paper, 60 x 42cm.

Gallery Panel: Cherie Strong

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Cherie Strong’s surreal portrait, 'Somewhere in the middle of all the chaos… peace', is dark and evocative.
Lorna Ballantyne Epps, Softly Softly. Acrylic and oil pastel on birch panel, 102 x 102cm.

Gallery Panel: Lorna Ballantyne Epps

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Artist Lorna Ballantyne Epps has created a beautiful contemporary artwork with so much to offer.
Janette Drysdale, Drone Days. Oil on stretched canvas, 122 x 122cm

Gallery Panel: Janette Drysdale

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This painting by Janette Drysdale is a great example of how new angles and perspectives of the landscape are being explored through contemporary painting.
Rudy Mulder, Marilyn. Acrylic on canvas, 76 x 102cm.

Gallery Panel: Rudy Mulder

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Rudy Mulder’s Marilyn is a fresh take on an iconic subject in the world of pop art...
Gina Fishman, Bondi Fast Lanes. Acrylic on canvas, 90 x 115cm.

Gallery Panel: Gina Fishman

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I’m instantly drawn to the painterly effect in this artwork by Gina Fishman, and the white highlights that make the work look so realistic.
Shelly Anfield, I Dreamt Of You. Oil on canvas, 120 x 90cm.

Gallery Panel: Shelly Anfield

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This oil painting by Shelly Anfield presents the sunset view with a glowing horizon and dreamy cloud forms.
Cherry Demir, Prismatic Stag. Oil on timber panel, 91 x 61cm.

Gallery Panel: Cherry Demir

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The soft brush strokes help complement the pastel colour palette in this artwork by Cherry Demir.
Grace Louise, Bewilderment. Acrylic, ink, paint pen and resin on timber, 90 x 120cm.

Gallery Panel: Grace Louise

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The layers and detail; the dots, dashes and fine linework of Grace Louise are reminiscent of the style found in some Indigenous artwork.
Mark Paulin, way to grail. Mackay red cedar, Huon pine burl and black gidgee, 108 x 51cm.

Gallery Panel: Mark Paulin

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Mark Paulin’s method of relief carving is clean, precise and detailed.