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Documenting Australian landscapes in Aerochrome Colour Infrared film allows Rob Walwyn to portray his medium in a vastly different way.
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When and how did you first fall in love with photography?
I got into photography just over 12 years ago. My sister had just got a little Olympus waterproof point and shoot digital camera for her birthday and I wanted to use it to photograph my friends surfing. While I quickly lost that camera in the ocean, that really kickstarted my love for photography.
What have you been working on recently?
These images are part of an ongoing series that I have been working on called Karrikins, which aims to document the impacts of the Australian bushfires of 2019-20. Karrikins refers to a family of chemical molecules that are produced as a result of bushfires and can stimulate the regrowth of certain plants. The series is shot on the discontinued and reasonably rare Kodak Aerochrome Colour Infrared film. I had seen some images circulating on social media with the bright green regrowth coming back after the intense bushfires in early 2020 and thought that it would be a perfect subject to use this rare film on. Aerochrome alters colour; anything reflecting infrared light (which is invisible to the human eye) is reproduced as red. Healthy foliage, which reflects infrared light strongly, shows up in various lurid shades of red and magenta; unhealthy foliage can show up in a range of colours from dark red to green or even yellow.
Where do you seek inspiration?
For this project, I was heavily inspired by Richard Mosse’s beautiful and haunting Aerochrome images of the conflict in the Congo, with cotton candy pink rolling hills and crimson red dense jungles. I was really fascinated by the history of this film and the alien but stunning results it can produce. I have always been intrigued by infrared photography and the fact that the film was recording wavelengths of light our eyes can’t see.
What does photography mean to you?
Photography has always meant capturing snapshots and moments of my life and my travels, which I can re-live whenever I desire. My memory is terrible, so having these little bread crumbs to look back and trace moments is something that I treasure.
Photography has the power to not only document what is happening in the photo journalistic or scientific sense, but also to do so in a meaningful way that resonates with the viewer. While I didn’t start this project seeking to document and comment on climate change, that has emerged as the project has evolved. If my images can leave a lasting impression on the viewer and contribute in whatever small way to raise awareness or effect a change in approach to how we cherish and strive to protect the natural world, then I will count that as a big win.
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