How would you describe what you do?
I paint works on a large scale to tell stories and take viewers on a journey of discovery. My works tend to be quite colourful, but my use of colour – sometimes complementary and sometimes jarring – is carefully applied. While I use line to describe the hidden details of my experiences, my art is open to multiple interpretations.
When were you first drawn to the art form you practise now?
I have painted and drawn since I was a child, and in recent years I have ensured that I have had time to
explore to the max. I try to draw or paint everyday.
Where are you based, and are any of your personal traits reflected in the design or layout of your
studio?
I live in Hamilton, New Zealand. My studio is often chaotic-looking, but I need everything around me to make the right choices.
Did you study fine arts or are you self-taught?
I’m mostly self taught, though I did some study when I did my teaching degree.
What does a typical day in the studio involve, and what’s one ritual you can’t do without?
I draw everyday but not necessarily in my studio. I often start with a coffee at my local cafe and draw customers and the surroundings of my house which is on farm land. Sometimes I arrange to travel around my area to draw, sometimes I read art books and sometimes I watch inspirational art videos by wellknown contemporary art practitioners.
What is your subject matter, and why do you think you’re drawn to it?
My subject matter is about the human condition, life, my life and those events around me. Sometimes my reaction to world events finds a voice as well. But mostly it’s something closer to home, for example, philosophical issues I’m interested in.
What materials do you use, and what’s something people may not know about what it’s like to work with those materials?
I mainly use acrylics for my painting, but sometimes mixed media too. For my drawings I use ink and mixed media, charcoal, crayon, pastel and water colour. Is there anything you’re currently working on? I’m working on a series that involves the passing of my husband, my partner for 40 years. The work explores solitude and the reflection of life and its journey.
Pick four art-world players you’d invite to dinner.
Georg Baselitz, Cecily Brown, David Hockney and
Rose Wylie.
If you could add one artwork to your collection, what would it be?
Georg Baselitz, Paul’s Chair, 1988.
Above: Artist Gaye Jurisich. Photo: Laura Taylor. Courtesy: the artist.
