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[av_heading heading=’Claire Devine: A Divine Language’ tag=’h1′ style=’blockquote modern-quote modern-centered’ subheading_active=” size=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=’15’ av-medium-font-size=” av-small-font-size=” av-mini-font-size=” color=” custom_font=” margin=” margin_sync=’true’ padding=’10’ link=’manually,http://’ link_target=” id=” custom_class=” av_uid=’av-ke9gpfp5′ admin_preview_bg=”][/av_heading]
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PAINTER CLAIRE DEVINE TALKS TO ZOE TAYLOR ABOUT COLOUR, COMPANIONSHIP AND MAKING A CONNECTION.
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With a touch of aqua lingering in each work, Claire Devine gives us permission to pause and daydream about relationships had or still to come. Her view of the world is one of companionship, love and joy – a utopia in all senses of the word.
While Claire studied music at university and worked as a classical percussionist and high school teacher, visual art was always in her blood. Born in Toulouse, France, Claire is the granddaughter of celebrated French artists and potters who she remembers as, “utterly resourceful people who wasted nothing yet infused every day with colour”.
Frugality only meant for more creativity in her family, so today she works from her home studio (formally known as the dining room) and paints five canvases at a time which she rotates on her favourite easel made by a family friend from recycled farm fencing posts. With acrylic paint, paint pens, pastels or whatever is at hand, Claire often paints directly with her fingers, manipulating the paint with her skin for a tactile and personal experience.
Yet the process and physicality of Claire’s work comes second to the personality imbued within each piece. For starters, many of her pieces are named after a person she knows and loves. “It is my way of honouring those close to me and those gone too soon. Thinking about a person I know well – their eye colour, smile and personality traits help give a piece real character.” The touch of aqua peeking through most of her works is an ode to her grandmother. “It was her favourite colour,” Claire tells me. “She wore it almost every day because it made her happy. I miss her every day so it makes me happy to include her in my work that way.”
Her biggest inspiration though is her youngest son. Shiloh, one, was born visually impaired and can only see up close or clearly defined objects. So Claire, with her aptitude for love, joy and connection, seeks to paint the world for him in thick textures and bright contrasting colours. She calls it a sort of art braille, a way for her son to see beauty with his own unique optical language.
Connection is paramount for Claire, whether it be with her family or with total strangers.
“I love connecting with people on Instagram,” she says. “The charming conversations you can have with complete strangers about art always make me smile. I feel privileged when people allow me a vulnerable glimpse into their lives as they share memories triggered by my works – that partage [French for shared experience] is so humbling.”
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