Best of Patterns: Frankie Wilde

Art Edit presents the never-ending promise and pull of patterns, however they may come. Erin Irwin writes.

The patterns of New Zealand-based artist Frankie Wilde’s practice are deeply personal, the physical journey of lines across a canvas not merely an act of careful mark-making. “Patterns, for me, represent stories,” she says. “They help create a sense of order and understanding within the chaos of feeling. The pattern itself can then take on the emotions and messages and make the feelings, ideas and thoughts I have into something more tangible.”

Using her practice as a meditative journey towards healing, each line is guided by emotion. The artist applies two coats of paint to her surface and then steadily scratches back the top layer in a twisting succession of dashes, creating a continuous path that either loops back on itself or journeys from a beginning to an end, similar to a labyrinth. ”Each mark represents a moment, all unique, and these marks eventually come together to create a journey, both for the eye and for the artist. The overall pattern defines the full experience, but it’s the tiny moments, the tiny marks, that define its shape and form.

“I want you to ask: ‘How much attention do we give these reoccurring small moments? The kids’ bedtime stories? Our morning cups of coffee? The daily commute?’ And when do we make the time and space to feel into our thoughts and emotions?”

Above: Frankie Wilde, Black, White & Red Thread, 2023. Acrylic on plywood round, 50 x 50cm. Courtesy: the artist.

More Best of features from Recent issues

Best of Figurativism: VR Morrison

After an almost 10-year hiatus, Gold Coast-based artist VR Morrison has returned to her easel. Morrison’s works have consistently looked to the rich tradition of vanitas paintings and morality tales, particularly that of the Old Masters. From the Renaissance to the Rococo, artists utilised a complex repertoire of symbols to convey ideas of faith, ethics […]

Best of Figurativism: Steve Fitz

Throughout the late 19th and 20th centuries, the rebels and renegades of the art world moved further towards abstraction, leaving behind realism in favour of explorations of colour, composition and line. NSW-based artist Steve Fitz sees his practice as rebelling in turn against dominant aesthetic trends, bringing the body back into focus. “It’s more than […]

Best of Figurativism: Juli Balla

Pareidolia is the tendency of the human brain to interpret inanimate objects as faces, bestowing personality on things that are innately without it. Sydney-based photographer Juli Balla takes advantage of this with her playful works. “Figurativism to me is where the brain fills in the gaps”, she says, “my motto is less is more”. In […]

Best of Figurativism: Carlotta Hey

Clothing is a profoundly personal form of self-expression, and it is through their sartorial choices that the figures portrayed by German-born, Melbourne-based artist Carlotta Hey convey their feelings, dreams and desires. With a background in fashion, design and styling, Hey is intimately familiar with the way the human body is a vehicle for communication – […]

Best of Figurativism: Andrew Paranavitana 

Coming from a background in architectural photography, it may seem surprising that the work of Melbourne-based artist Andrew Paranavitana is so driven by narrative. “I create visual stories within my work”, he says, “figurativism lends itself to the process of creating this story, forming the main character of every piece”. However, these main characters are […]

BEST OF FIGURATIVISM: GAI SAUNDERS

Art Edit presents a selection of works from Gai Saunders who uses figurativism in novel and creative ways. Erin Irwin writes. For WA-based artist Gai Saunders, it does not automatically follow that a practice which employs figurativism must necessarily value realism or be purely representational. “Representing nature as is has never been as interesting to […]