Best of Botanicals: Viviana Maier

Art Edit presents works that peer into the intricate, mysterious world of botanicals. 

Born in Argentina, Perth-based artist Viviana Maier spent her formative years in close proximity to nature, which has had a considerable effect on her art-making. “Growing up surrounded by a lush forest,” she says, “I find myself drawn to botanical elements in my artwork. Each time I incorporate these elements into my pieces, I am transported back to the verdant landscapes of my childhood”. This wild, dramatic landscape has manifested itself in a practice that focuses on composition, rhythm, and texture. 

Working exclusively in porcelain, Maier produces works that are experiential in nature, creating functional objects and wall art that almost beg to be touched. Rather than depicting specific plants, the artist chooses to abstract plants down to their botanic components. Delicate petals and leaves are decontextualised and rearranged, brought together in rhythmic waves or suspended in space, constructed anew within the artist’s visual language.

Porcelain as a medium is perfect for portraying botanical subjects as, despite being quite durable, it is visually delicate and allows for the passage of light through form. The translucent character of the porcelain evokes the intrinsic vitality of plants, replicating diaphanous petals and leaves as they turn towards the sun.

In the kiln these unique pieces acquire their own distinct character. Firing ceramics is as much a process of luck as it is skill, conferring on the petals their own range of colours and textures according to the unpredictable inclination of the flames. The artist then painstakingly arranges them according to their final forms, layering them to create dialogues between light and hue. Maier’s practice is one that works with and within nature, harnessing fire, and focusing on a single component of a plant to truly meditate on its form. It is as a result that her works mirror the infinite details found in the landscape she calls home.

Above: Viviana Maier, Petals in the Wind, 2023. Porcelain, 80 x 60cm. Courtesy: the artist.

More Best of features from Recent issues

Best of Figurativism: VR Morrison

After an almost 10-year hiatus, Gold Coast-based artist VR Morrison has returned to her easel. Morrison’s works have consistently looked to the rich tradition of vanitas paintings and morality tales, particularly that of the Old Masters. From the Renaissance to the Rococo, artists utilised a complex repertoire of symbols to convey ideas of faith, ethics […]

Best of Figurativism: Steve Fitz

Throughout the late 19th and 20th centuries, the rebels and renegades of the art world moved further towards abstraction, leaving behind realism in favour of explorations of colour, composition and line. NSW-based artist Steve Fitz sees his practice as rebelling in turn against dominant aesthetic trends, bringing the body back into focus. “It’s more than […]

Best of Figurativism: Juli Balla

Pareidolia is the tendency of the human brain to interpret inanimate objects as faces, bestowing personality on things that are innately without it. Sydney-based photographer Juli Balla takes advantage of this with her playful works. “Figurativism to me is where the brain fills in the gaps”, she says, “my motto is less is more”. In […]

Best of Figurativism: Carlotta Hey

Clothing is a profoundly personal form of self-expression, and it is through their sartorial choices that the figures portrayed by German-born, Melbourne-based artist Carlotta Hey convey their feelings, dreams and desires. With a background in fashion, design and styling, Hey is intimately familiar with the way the human body is a vehicle for communication – […]

Best of Figurativism: Andrew Paranavitana 

Coming from a background in architectural photography, it may seem surprising that the work of Melbourne-based artist Andrew Paranavitana is so driven by narrative. “I create visual stories within my work”, he says, “figurativism lends itself to the process of creating this story, forming the main character of every piece”. However, these main characters are […]

BEST OF FIGURATIVISM: GAI SAUNDERS

Art Edit presents a selection of works from Gai Saunders who uses figurativism in novel and creative ways. Erin Irwin writes. For WA-based artist Gai Saunders, it does not automatically follow that a practice which employs figurativism must necessarily value realism or be purely representational. “Representing nature as is has never been as interesting to […]