How would you describe your style?
My paintings and drawings express movement and light play on Australian landscapes and birds. It’s a short-hand of mark-making techniques: quick gestural strokes to explain familiar forms with colourful transparent layering that gives depth of colour.
Did you have formal training as an artist?
I’ve been an artist for more than 25 years. While living in Canberra I had a fantastic opportunity to study practical painting techniques taking night classes at the Canberra Institute of Art. I came away from there with an adventurous attitude about experimenting with water-based mediums and taught myself to apply that to the subjects I love.
Do you have particular materials you prefer to work with?
I work with pastels or charcoal for my drawing and acrylics for my paintings on linen. I love the soft, painterly effects you can get. Sometimes I use both pastel and acrylic paint as mixed media on linen with multiple transparent layers. The way I use the two media together is very complementary. I use acrylic varnishes in the layering process to make the surface very robust.
What are some of the themes in your recent work?
Recently I have been extending the Australian bird compositions I love so much, showing the movement of birds. The backgrounds mimic abstract light distortions as if referencing effects of the camera obscura. The birds emerge from the surface as the final layers are applied.
Where can we find your work?
I have had an annual solo exhibition almost every year in Brisbane since 2007.
At present I have gallery representation north of Brisbane at David Linton Furniture and Timber Works Gallery and in the main street of Montville at Makersville.