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[av_heading heading=’Gallery Panel: Rebecca Hazard’ tag=’h1′ style=’blockquote modern-quote modern-centered’ subheading_active=” size=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=’15’ av-medium-font-size=” av-small-font-size=” av-mini-font-size=” color=” custom_font=” margin=” margin_sync=’true’ padding=’10’ link=’manually,http://’ link_target=” id=” custom_class=” av_uid=’av-keaqz6ee’ admin_preview_bg=”][/av_heading]
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ART EDIT’S PANEL OF GALLERISTS AND AN ART FAIR CURATOR TAKE A CLOSER LOOK AT THIS ARTIST AND SHARE TIPS ON HOW TO HANG THEIR WORK.
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[av_team_member name=’KERRY-ANNE BLANKET’ job=’KAB Gallery, Terrigal and Sydney’ src=” attachment=” attachment_size=” image_width=” description=’The technical proficiency of Rebecca Hazard is impressive and engaging. The sense of realism portrayed with her brush is deceiving, especially since on close inspection the brushwork appears far more organic and lose. In this instance the subject matter supports her style, the organic makeup of meat allowing her to work in an abstract form while enabling the viewer to instantly recognise the composition of flesh. Almost disturbing to look at, I am intrigued to learn more about the concepts behind this unconventional subject.’ font_color=’custom’ custom_title=” custom_content=” id=” custom_class=” av_uid=’av-jhfnsxtf’ admin_preview_bg=”]
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[av_team_member name=’LUKE POTKIN’ job=’Fair Director, The Other Art Fair’ src=” attachment=” attachment_size=” image_width=” description=’This piece offers a visceral depiction of an uncomfortable and somewhat grotesque subject matter. Despite this, the meat is so detailed and beautifully lit that it feels like a treasured possession, worthy of ours, and the artist’s attention.’ font_color=’custom’ custom_title=” custom_content=” id=” custom_class=” av_uid=’av-jhfnsxtf’ admin_preview_bg=”]
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[av_team_member name=’KITTY CLARK’ job=’Saint Cloche Gallery, Sydney’ src=” attachment=” attachment_size=” image_width=” description=’This work calls upon the entirety of your senses. It’s cinematic in the way it depicts the raw meat, emerging from the darkness, calling upon the Renaissance with its use of dramatic use Chiaroscuro. The artist uses this beautiful lighting to pull our focus into specific textures and qualities in the subject. Maybe the artist wants us to observe the unique markings in the marbling of meat, but there’s something very poetic, philosophical and contemplative that seems to be oozing from the graphic subject.’ font_color=’custom’ custom_title=” custom_content=” id=” custom_class=” av_uid=’av-jhfnsxtf’ admin_preview_bg=”]
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