Though the clean lines and geometric forms of mid-century architecture are slowly disappearing from the Australian urban landscape, they live on untouched in Sydney-based artist Eliza Gosse’s body of work. With a background in design – having initially studied architecture before shifting to a degree in Fine Art at the National Art School, Sydney, and later a Masters of Fine Art – Gosse has an eye for the intricacies of historical art movements.
Though the clean lines and geometric forms of mid-century architecture are slowly disappearing from the Australian urban landscape, they live on untouched in Sydney-based artist Eliza Gosse’s body of work. With a background in design – having initially studied architecture before shifting to a degree in Fine Art at the National Art School, Sydney, and later a Masters of Fine Art – Gosse has an eye for the intricacies of historical art movements.
Above: Eliza Gosse, A Red Sunny Boy Dripped Into The Pool, 2021. Oil on canvas, 152 x 122cm. Courtesy: the artist and Edwina Corlette Gallery, Brisbane.
Below: Eliza Gosse, Iced Vovos Were In The Little Red Tin, 2021. Oil on canvas, 102 x 244cm. Courtesy: the artist and Edwina Corlette Gallery, Brisbane.
