Peter’s paintings are an explosion of colour, taking inspiration from landscapes like the beach or the desert. His depictions usually comprise small to large blobs of colour (or “prismatic, crystalline pointillism” as he describes it), using any material that will make a mark, but only if it is appropriate to the cause.
“Spit, blood, fire, grease, a sander or angle grinder … but mostly I use ink, acrylic, oil paints and mineral silicate paint, which will last 100 years outside in any weather conditions,” Peter explains.
As for Peter’s sculptures, he works with objects that have history and meaning – from his grandfather’s chair to a rabbit trap and sticks. “I’m very influenced by the history of useable human-made objects and the alternative meanings that can be ascribed to them,” he says. Each sculpture is usually cast in bronze.
With 40 years’ experience and many achievements –including more than 30 solo shows, inclusions in public and private collections at the Department of Foreign Affairs and Commonwealth Bank, and a number of Australia Council grants and art awards – Peter refuses to be content with his technique. “I would like to paint as well as a skilled vintner who makes good wine or a wheel wright who constructs a wagon wheel – what craft, what magic,” he says.