Winter 2018 Archives - Page 3 of 6

Best of Fine Art Photography: Graham Earnshaw

At first glance, it is difficult to say for sure whether the work of Graham Earnshaw is painting or photography.

There is a sense of voyeurism and mystery in the work of Sydney-based photographer Anne Lynam.

I’m instantly drawn to the painterly effect in this artwork by Gina Fishman, and the white highlights that make the work look so realistic.

This oil painting by Shelly Anfield presents the sunset view with a glowing horizon and dreamy cloud forms.

The soft brush strokes help complement the pastel colour palette in this artwork by Cherry Demir.

The layers and detail; the dots, dashes and fine linework of Grace Louise are reminiscent of the style found in some Indigenous artwork.

Mark Paulin’s method of relief carving is clean, precise and detailed.

Tania Malkin’s aerial perspective takes full advantage of organic shapes, line, depth and colour.

Watercolour is probably the most difficult medium to master, and this example demonstrates Christine Earthrowl’s talent.

Zetta Kanta’s fibre art brings an instant feeling of warmth to a space; it has a sense of luxe thanks to its grand size and tactile appeal.