Joanne Portelli, Tasmanian Devils. 60 x 46cm.

Destination Art: Backleg Studio

Backleg Studio is a new online gallery launched by artists Michelle Peddle and Joanne Portelli.
Wendy McGrath, Red Shoes Surge. Printed on archival fine art paper, 45 x 30cm.

Best of Fine Art Photography: Wendy McGrath

The photography of Wendy McGrath involves so much more than a camera.
Tobi Wilkinson, Embracing The Robes. C-type photographic print, 49 x 75cm.

Best of Fine Art Photography: Tobi Wilkinson

The emotive pull of Tobi Wilkinson's photography makes subjects seem as if you could reach out and touch them.
Stephen Kane, Glow 01. Digital photograph with acrylic face mount, 90 x 60cm.

Best of Fine Art Photography: Stephen Kane

Stephen Kane's ongoing art project, Lightscapes, tests the limits of what’s possible with abstract photography and digital image creation.
Sharon Lamb, Smooth Rider. Printed on brushed metal with gloss finish, 50.8 x 33.02cm.

Best of Fine Art Photography: Sharon Lamb

Sharon Lamb spent the first 25 years of her career in nuclear medicine before picking up a camera in 2012, when she began her foray into light painting.
Lars Heldmann, poPpy. Fine art paper adhered to acrylic and mounted on aluminium.

Best of Fine Art Photography: Lars Heldmann

Australian artist Lars Heldmann likes to say that he’s seen the light, but preferred to stay on the dark side.
FEATURE Graham Earnshaw, Blue Light

Best of Fine Art Photography: Graham Earnshaw

At first glance, it is difficult to say for sure whether the work of Graham Earnshaw is painting or photography.
Anne Lynam, Off the Wall. Pigment print on archival paper, 31 x 31cm.

Best of Fine Art Photography: Anne Lynam

There is a sense of voyeurism and mystery in the work of Sydney-based photographer Anne Lynam.
Lara Scolari in her studio

Buyer's Guide: Navigating Commissions

When it comes to commissioning original artworks, communication is key. Briony Downes talks us through the process.